1/15/2018 - This editorial fashion image was shot in Milan, Italy for "Cowgirl Magazine". The arched doors are part of the train track supports that lead to Stazione Centrale, Milan's main international train station.
This fashion editorial shoot had an "Issue" and was delayed about 4 hours. Steve had had two models on hold until the day before the shoot date, at which point he then confirmed his "A" choice. Unfortunately around 3:30 the morning of the shoot, "A" model sent Steve a text message saying she was experiencing a lower GI "disturbance". When Steve woke at 5:00 a.m. to prep for the shoot he got the message and knew that his A choice was now not going to work. So he sent the agent an e-mail asking if his Plan B model was able to shoot. Around 9:45 a.m. the agent called Steve apologizing profusely. It seems the model told Steve but did not tell her agent, so she was clueless about the problem until she got Steve's message.
"Yes", she said "the other model is available!" so Steve asked the agent to send him the model's address so he could pick her up along with the make up artist/hair stylist. By the time he had collected all of the players and started Hair & M/U it was noon and he did not shoot the first look until 2:15 p.m. and finished the project's last look at 8:10 p.m. having shot 9 different looks in 3 different locations 6 miles apart (9.4Km), most of it being in Milan's traffic, in just under 6 hours.
Steve said that he really wanted to shoot something that said "Milan" (Actually Steve says "Milano", but that is just due to him having lived in Italy on and off since 1985). But due to the disastrous loss of time in the morning, coupled with Milan's incessant heavy traffic, not to mention the extreme difficulty in parking in the center of town, he decided to shoot the train station vs. the main cathedral, called the Duomo.
This is from Steve about the lighting: "I slid a Lumedyne round head onto the hot shoe of my camera using a LightwareDirect Mini Mount."
Note: Steve sent one of his flash heads back to the Lumedyne factory and had them add an additional ¼-20 threaded insert at the rear of their round head. This allows you to be able to look into your viewfinder by moving the strobe head forward making this process MUCH easier. (See the bottom photo).
Canon camera - 1/200 second, 50 ISO with a
Canon 16 to 35mm zoom lens set to f9 (f8 1/3) using 20mm
Lumedyne Next Generation Round Strobe Head, reflector and diffuser, connected to a
Lumedyne 200 Watt Second battery powered pack set at 100 W.S.
NOTE!!!! You will need a cord to go from the head sync connectors to a PC connection on your camera to make this work with your strobe system. OR you can also use a hotshoe sync that also has another shoe on top of it.
1/12/2018 - This editorial fashion style image is one of a series of images Steve shot for a very cool art hotel in Palermo, Italy, who wanted some off-beat sexy imagery. In this shot he is squeezed into the shower in one of the hotel rooms (Steve is 6½' tall - 2 meters). Go here to see the full image and the behind the scenes photo.
He tried to shoot this with a 14mm flat field (rectilinear) lens, but because the door was blocking his field of view he could not move far enough back to get all of the model in the image. Changing lenses to a 15mm f2.8 fish-eye lens solved this problem, see the BTS photo above.
The ambient light is a mix of dim fluorescent, dim incandescent lamps plus the daylight balanced strobe turned to the lowest power level, so we had a fair amount of effort to correct for this color mismatch in post. In the black tile, and to a lesser degree on the shoe on the right, you can see blue light, this is from the strobe and Steve elected to leave it as another color element. He pointed out most of the scene is either neutral or warm colors, so a bit of blue would help.
1/11/2018 - These fashion & beauty images of Annabell, who is one of my favorite models, were shot in the back seat of an old Cadillac in the California desert about 2 hours out of Los Angeles, USA. It was raining lightly making the dirt on the windows collect in small pools. I really did not have to give Annabell a lot of directions because she is what we call a "Mover". In addition to moving, because a lot of models don't move or move mechanically, she is also graceful and has fluid movements. These are the rare qualities that all great models have. I included several images above to show how great she is as a model.
There is a short video here, about 28 seconds not counting the end credits.
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1-9-2018 - These lifestyle images were shot near Miami, Florida and are quite difficult to shoot. Between having to hold the un1-derwater housing (the camera and lens are inside the housing), the 9" glass dome port and the 45° finder (about 16½ pounds total - 7¼ KG), just above the water, I also have to contend with the waves picking me and the models up and the ocean currents moving us in frequently different directions or closer together or farther apart all the while trying to frame the shot and direct the models.
The models in all of these images had just met maybe 20 or 30 minutes earlier on the beach. We would meet about 30 minutes before sunrise to get the styling done, introduce the models and get into the water. Coupled with all of this, sunrise light will only last maybe 20 minutes before becoming ugly, meaning everyone had to be "On" and stay focused in order to get some cool shots quickly.
In the top image, the sun was not yet above the horizon, the light is being reflected off of a cloud, the same light that is hitting the clouds above the trees and the models. This why I want everyone to be in the water roughly 15 minutes before sunrise in order to shoot predawn light and give the models time to get comfortable with each other.
1-8-2018 - While in Cologne for Photokina, I shot a couple of fashion advertising images for Alan Michael USA, a client in Beverly Hills, California. I had shot with Esther 2 years earlier while giving a presentation on Guido Karp's "Leading Photographers of the World" stage at Photokina. I knew I wanted to shoot at the train station and had e-mailed Esther about the shoot and she agreed to meet.
I asked a friend if I could use his studio to shoot a little and have the makeup artist/hairstylist work on Esther. We shot some in the studio and then got into the car to drive to the station.
We parked and was able to get to the first location just in time to shoot with the last of the sunset... timing is everything.
Go here or click on the beauty image below to see how I shot it.